Photo: Snow party. (c)Jeremy Geiger 2008
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Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Wednesday, January 23, 2008

Portishead new album announcement

Portishead announced today that the 10 year wait for a new album is finally ending, and not a moment too soon. Here's what Beth Gibbons and company are saying:

23 Jan 2008

We're pleased to announce that we'll be releasing our album, titled THIRD. on April 14th 2008.

The album has 11 tracks and is 49 minutes 13 seconds long.

Its about frickin' time. In addition to their Coachella appearance, this album should put them back on the map if the videos of the new material are any indication.

Check this video out - it's of one of the new songs. Watch it quick, because Island Records is chasing these puppies down like an old British Royal hunting caged, drugged-up pheasants, so who knows how long it will last......




Wednesday, January 9, 2008

Radiohead's tour of America announcement


Ezra over at the Portland Mercury's Blogtown PDX is reporting that Radiohead will be touring the states this year. You can check the details here.

Here's the info so far:
The tour will take place in two segments, one prior to and one following the recently announced summer tour of the UK and Europe.

The cities IN ALPHABETICAL ORDER are:
Atlanta
Boston
Charlotte
Chicago
Cleveland
Dallas
Houston
Indianapolis
Los Angeles
Miami
Montreal
New York
Philadelphia
San Diego
San Francisco
Santa Barbara
Seattle
St Louis
Tampa
Toronto
Vancouver
Washington DC

I checked at Dead Air Space and still nothing by way of announcement as of this post, but I'm sure something will be coming soon.

Tuesday, December 11, 2007

The RIAA should sue Apple

There's a lot of buzzing going on today about whether the RIAA is trying to quash the creation of backup MP3's, the actual act of ripping a CD, for personal use. Unfortunately, this is just increasingly typical blog-o-matic blah-blah-blah. How so? How can I say that? Et tu, Blog-us?

To sum up, in the current court battle Atlantic v. Howell, the RIAA asserts that the defendants, husband and wife Jeffrey and Pamela Howell, are guilty of copyright infringement because they made copies of their own CDs and stored them in a shared folder on their computer. While the lawyers for the RIAA contend that they illegally shared their files via the file sharing service Kazaa, the Howells argue that they only shared the files between themselves, and since they both own all of the discs, they have committed no crime. What's more, the Howells are actually defending themselves, with no lawyers to translate into slime-eze for them.

Seems like a reasonable fight, albeit a little David and 10,000 lbs. Goliath-with-machine-guns-esque.

The thing that is causing the stir in the blog-o-matic spinning wheel however, is the wording of part of the brief.
Some non-weasel-like folks are interpreting the wording to mean that the RIAA is trying to extend copyright law to say that the simple act of creating an MP3 is "unauthorized," and therefore possibly infringement. Others contend that the wording of the brief is not attacking the creation of an MP3 per se, but the act of sharing it via a shared folder or sharing service (such as kazaa), which is already well-founded.

So what is the truth? Is it the ripping of an MP3, or placing it in a shared folder?

Two things immediately come to mind here:

1. This is a given: Yes, of course the RIAA and its shape-shifting brood squad is always, always, always trying to extend the application of copyright protection in any way they can, using any weasel-ese they can to create a precedent in law. That is a lawyer's job when you work for someone with hundreds of millions of dollars at stake. And a lawyer's "pleasure" when you are the hand-servant of Clive Beelzebub himself.

2. In this case unfortunately, after reading the brief that has spawned this oft-sampled-out-of-context quote, and reading numerous arguments for and against, in my opinion the sticking point is not that the copies were made, but that
they were shared via a shared folder. Even if only shared between users or computers. And this conclusion is due to one very good reason: If this were true, that the act of making a copy for ethical, legal use, is threatened with the "illegal" brand, then who, prey tell, would this irritate? Can you say IPod, anyone? Windows Media Center, y'all?

All of the fevered sensationalists and knee-jerk commenters/bloggites are forgetting this one, very simple common sense fact (which is an increasingly common trait, I think, thank you Fox News):
There are more than just a few folks with Marshall Stacks of money on the table who will say, "Nuh-uh! No-way! Don't be stupid!": Companies like Apple, Microsoft, and a whole slew of cash-happy companies who sell lucrative devices and operating systems that depend on making an ethical copy to make the device usable, are on the side of making an ethically (and legally) used copy.

Somehow, despite the blathering of chatter from the Chatterlings, I am not hearing the discernible pitter-patter-clop-clop of little Apple lawyers with their Gevaudan paws tipped with hoofs climbing out of their caves to do battle with the RIAA Devils who would stamp out their wallet-sized deposit-only cash machines while the money-bloated beasts sleep.

With all of the hoopla in discussion surrounding this, I haven't seen anyone addressing the fact that the most marketed music device in the world depends heavily on copying music, and they don't seem too worried about it.

Yes, Law and Order fans, the simple act of ripping a CD is not illegal in any way, so long as it is not shared (because as everybody knows, lawyers do not share. That is what it says on the insides of their little green hats when they pass the bar.), and it will take a long time and more money than the RIAA has to convince the likes of the Steve-er twins to stop selling their little digital money baskets because the case against Ma and Pa Howell proves everything.

So can we please go just back to hating the RIAA out of principle? Works for me.

Tuesday, October 30, 2007

Will Radiohead make money with this album? In a word, "Duh..."

Can the mainstream press please buy a clue from the orange stack of Chance cards and get over the whole "Radiohead - name your price" thing? Brilliant marketing? Yes. Effective? Yes. One time deal? Who cares?

[UPDATE 30 October 2007: As predicted, Radiohead is making Gobs of money with this approach. Estimated sales were over $10 million for the first week. The first Week! Average price paid? $8.00 per download. You can read more here.]

Here's the simple truth: Artists get literally next to nothing on album sales when they are marketed by a major label. That means that they get, if they are lucky, a couple of cents per album, and that is only after every single entity who can get their dirty swollen little fingers into the pot gets paid. Where does the band make their money? Very simple. Touring and merchandising.

So when a band says step off to the 500 people in the middle who want to get paid for their work, and they buy some bandwidth and put it up for download, and then offer it for whatever people think its worth, they are going to make money if the music merits it.


It doesn't require an MBA to figure it out. Do the simple, simple math....and just in case you can't, Here: I've done it for you:


Bad Bad Bad major record label scenario:
Typical album price (on sale): $13.99. Maybe more, maybe less if its iTunes, but lets stay somewhere in the middle.
Amount taken by the Studio, distributors, marketing costs, shelf space costs, and all of the other bureaucratic Major Label overhead: $13.97.
Amount taken by band? .02 per album sold, after the first 500,000 units.
So on 1,000,000 units, that is $20,000.00 dollars (oh,
except that the record company only pays for the number of units sold after the first 500,000, so scratch that. Make it $10k). Wow. Big deal, split 5 ways or more, for months of work. Thanks record company!

[pseudo-quote from Mr. Davis:]
"Oh, and by the way, for using our generous record label with its expensive reputation for 99% crap, we now own the rights to your songs, so if you want to perform them, you'll have to PAY US TO LICENSE THEM. Otherwise, if you play your songs in concert, we will unfortunately be forced to sue you for copyright infringement, theft of our intellectual property, breach of contract, and a whole slew of other legal violations for which your measly .02 cents per album will hardly cover. We pay more than what you earn when our attorney sneezes on our time."

[end pseudo-quote]

Where do I sign again?

Now here's the Download, pay-per-conscience scenario:
Studio costs: Not really as much as you think. You can buy world-class studio time for remarkably cheap these days, and if you're Radiohead, no recording studio is going to gouge you. Not to mention, this cost is a wash because the record company *surprise surprise* charges the band for that too, at "industry" rates (read: gougey-poo, Brit poppers).

End of the line Production and distribution costs: Next to none. Output from AIFF to MP3, buy some hosting, and put it on the site.Done. Pay a Web company a couple bucks and you're in.
Marketing costs: Again, next to none if you are a global icon. For Radiohead, the press did all that was necessary. And then of course there were the millions of us who have checked their site and the multitude of fan sites for any info on a weekly, if not daily, basis.

Now, the math:

Average paid per download? lets just say $2.00, to keep it on the low side. That accounts for the guilt-driven folks who overpay and those who put in 0.00, those greedy sons of lucky mothers.
Cost total? Next to nothing.
Take for the Band? $2.00 per album sold. So, on 1,000,000 units, how much is that?
$2,000,000 split 5+ ways. Ya think studio time is gonna' cost that much?


So, math majors, you tell me: which is more, $2,000,000.00, plus touring and merchandising, plus $75 per pre-paid boxed set? or $10k plus touring and merchandising, plus a generous $1.00 per unit (after the first 100,000) to the band for an expensive boxed set?

That, you MBAs writing industry-related columns, means, "Duh."
----

Next Radiohead entry: Either why I think Jon Fine is a dillhole (the completely worthless "music" reviewer for BusinessWeek), or what I really think of the new Radiohead album.

Thursday, October 11, 2007

Open mic, October skies, and Oregon traffic


Fall has arrived in the Pacific Northwest, and we are welcoming the season with open arms. On local television news, in addition to the forecast including a much greater percentage of rainy days, you will find that most stations include a "color" forecast. The color forecast describes the peak time for the fall leaves changing colors.

The prognostication that I caught puts the peak season in the latter two weeks of October, but as you might imagine, the guess is highly subjective (seems fitting that the weather person does the guesswork). It is already in full swing at our place, and is lighting up the hillside across the Willamette.

Paul and Sharon - The visitors from Hell

Just kidding.

Paul and Sharon were here for 5 days on their fall tour, and we couldn't imagine a more enjoyable visit. We spent the days and evenings touring the city and the fall-colored trails, making slow-food style dinners at home, playing music, and discovering pumpkins growing on the cedars outside. Our evenings typically consisted of reveling in the clatter of laughter, the hum of conversation, and satisfied polishing off of the contents of wine glasses. We went for a walk at Tryon Creek, had a soup night where 3 soups and a salad were the courses, had family meetings over the pros and cons of living here, a shellfish and salmon extravaganza courtesy of Tony's fish market, and many points between. It was exactly what we hoped for, and precisely the thing we miss most about being so far away from all of our closest friends in such distant places.

Sharon is really smitten with Portland, and definitely has a longing for the cooler climate, slower pace, and cleaner air that the Northwest provides. Back home, Sharon has a typical L.A. commute to her place of business; I say typical because if you live in L.A. and have to work a day job, odds are you are going to be sitting in 45 minutes or more of traffic to travel just a few miles. Some folks are lucky enough to live near their work, but in Los Angeles, that is an increasingly rare (translation: expensive) luxury. In Portland however, we definitely have traffic, but nothing like the world-class crunches on the 10, 101, 105, 110, and 405 that are part of the normal L.A. commuting routine. For example: on the way to the Portland airport, we were driving at 6:15 PM on I-205, going 55-60mph the entire way. No slow downs for high traffic volume; no incomprehensible merging bubbles; and despite ongoing construction, just smooth sailing on the second major North-South freeway in the Portland. Admittedly, sometimes its worse (and it is always worse on I-5), but for the most part we have very little to complain about. Its a simple formula: Less People = Less Traffic. It might have an urban planning mathematical modifier or two, but really, it all boils down to that.

In driving around (while I'm on the subject), Paul and Sharon discovered for themselves that the 43 is as quick a route in town as highway 99, and is orders of magnitude more beautiful. The 99 reminds me of the redundant, run-down sections of the 99 heading out of Seattle in either direction.


Who wants to play a driving game?

Let's play a little imaginary driving game, shall we? C'mon kids, everyone can play!

Close your eyes, sense your fingertips, and breathe deeply. Now develop this mental picture in the plastic trays and chemical baths of your mind: From
Gladstone heading north, the 99 essentially goes like this: car dealership, discount nachos and ribs joint, apartment complex, car dealership, car dealership, mattress outlet, run down thrift store, vacant strip mall, burger joint, car dealership, vacant car dealership, dilapidated used furniture store, Denny's knock-off restaurant, tanning place, scary chinese food, run down bar, Wendy's, car dealership, car dealership, weird statue of Liberty replica, tanning place, Blockbuster video, recently vacant Taco Time, creepy adult video store, Office Max. Vary the pattern a little, throw in some rain and virtual tumbleweeds, and then repeat. Good. Still with me?

Now I want you to visualize the soothing sounds of waves of ambient, soft ocean shores and bamboo breezes. Picture the 43 through West Linn: a meandering road that tiptoes through a few townships and a lovely groomed college campus, a handful of well-appointed houses nestled among fir and sycamore trees, with a candle dancing softly in each window to the sound of deep toned chimes, all ensconced in lush hillsides with panoramic vistas of the softly gurgling river.

And 3...2...1...we're back.

Which highway sounds more appealing? If you guessed the 43, you may have a future in uh, imaginary gameshows?

Its always about the music, dude
Shifting gears (ha), after playing music and talking about playing music, Paul and I decided to do an open mic on Saturday night. I called around and did some digging on YouTube if you can believe it, and we settled on the Bullseye bakery and cafe in Old West Linn. There are of course other venues with open mics around Portland (like the Trash Factory), but in addition to most being mid-week, many of the opportunities were a bit too hipster-oriented to try out our little music/poetry experiment for the first time. I believe the phrase, "we might be eaten alive" came to mind.

The "featured band" was a group of early teen kids doing rock covers primarily, and they did a great job. Certainly reminded me of when I was doing that sort of thing in my mid to late teens.
They did Freebird, I kid you not. After they played for an audience of their friends and family, many of them hung around for our handful of musical oddities.

I did one of my singer/songwriter-type songs (Stars), and then Paul and I did 2 loop-based poetry things. I looped sounds from the marimba and a few of Jonah's shaker toys, plus my guitar, and Paul read poems from his time in central America and New Zealand. We finished off our mini-set with Ordinary Day, complete with Paul improvising backing vocals and at one point, when I forgot to sing, Paul singing solo.

The kids that stay
ed were respectful and positive, although it was weird to sing to an audience of text messagers and last year's trucker hats. But it was a great time. We were nervous as hell, and the looping thing went awry at one point with a loop of the marimba feeding back on itself (which sounded surprisingly similar to what I imagine a 50's midwestern tornado siren sounds like), but all in all it was a great experience. Definitely learned a few things, and it motivated us to really want to do more. The loop/poetry combo works really well, and building the loops live is both challenging for me and (I think) entertaining for the audience.

Ready, set, Fall
After the departure of our friends, things are settling back into our fall routine. I am mentally preparing for the imminent doldrums of rainy days, and believe it or not I'm looking forward to having a reason to spend time indoors. My strategy is to make the most of the time by turning my focus to projects that I've put off all summer long because the summer weather is so enticing here. I am working on several new projects including art creation and direction for a video game project for the Xbox 360, building my own dry erase wall in my office (hopefully today), and honing the music that Paul and I recorded.

My list of sanity projects for the winter includes, so far: learning to cook Indi
an and Thai food; building shoji screens for the kitchen and possibly Japanese style benches for the back deck; painting Rothko-esque pieces for the house; pulling together story ideas that I've been tracking for the last 6 months into something cohesive (a screenplay or novella); creating 40+ characters for the games I'm collaborating on; and if I'm really ambitious, building a wood-fired oven outside to cook bread and pizza. We shall see. But what it all adds up to in my mind is a good way to spend a winter season, holed in and enjoying the quiet time of rainy days and a wood stove.

Monday, September 24, 2007

New music from Beneath the Whale

Its been a while since I've updated Metroknow, but this post should give you some idea of why. Its for a good cause.

As some of you know, several of us have been working on an ongoing music project that seems to ebb and flow over time. John and I got together this summer for a midnight recording session in my dining room to create the first rough recordings for the Beneath the Whale project. We recorded from 12AM-ish to about 3AM or so, almost exclusively playing from the ether - with the exception of Still Water, all of the other songs are completely improvised on the spot from the song structure to lyrics.


Check out a few samples over at our MySpace page, which I just put up to get these online quickly. Here's the link: http://www.myspace.com/beneaththewhale -- they're not perfect; but its a start.

My current favorite is Drive/Rearview (myspace doesn't allow the slash). Its long, but it was amazing to me that the whole thing just flowed out of our heads with no prior conception.

Hope you like it. Much more to come.

Thursday, September 6, 2007

Farewell Luciano

Stop what you're doing, take a moment, and watch the video in this post.

Even if you are not an opera aficionado, if you have any appreciation for artistic mastery you have to be saddened by the death of Luciano Pavarotti. We were talking about it this morning, and in the world of music he seems to be the modern day equivelent of historic figures as great as Mozart and Beethoven. His renditions of classical opera transcend political borders, socio-economic barriers, and cultural tastes. He was literally on a higher plain of human ability.

If you don't get chills at least a little when you pay attention to his singing, you might want to have someone check your pulse.

From the Portland Mercury this morning, came this comment on the video:

"Famed Italian tenor Luciano Pavarotti is dead at age 71. Here’s his signature song, “Nessun Dorma” performed in Paris in 1998. He KILLS it. Activate chills!"



Thanks to Wm. Steven Humphrey and the folks at the Mercury for this morning's dose of, "Holy Crap."

Monday, August 13, 2007

Top 13 pieces on Metroknow over the last 6 months

I've published quite a few entries this year on Metroknow - some good, some trivial, and some that were, well, less than what I had hoped for (OK, I'll say it - they sucked). I recently read a suggestion that summarizing your best entries is a good idea - the date summary that Blogger provides tells a reader almost nothing about the pieces that you've poured your soul into on your site. Some people create monthly summaries; for now, I'm going to start at the 6 month mark and see how it looks.

Here's a list of the pieces I consider my best work on this site to date.


In addition to doing something I enjoy, ultimately my goal is simply to become a better writer and photographer. And I'd like to think that it's working. I'm open to suggestions - leave a comment, drop me an email, send me a smoke signal - whatever works for you, I'd love to hear your feedback.

Thursday, May 31, 2007

Arcade Fire in Portland: What I missed

So here is a fairly cool video of the show in Portland. I must say I regret letting this one go by. Just too busy with the kiddies and such to see the opportunity before it went rushing by my window. Next time I'm sticking my hand out and catching the wind wave.

Friday, May 25, 2007

I knew there was a reason I should've learned to rollerblade

check this out:


Thursday, May 17, 2007

Arcade Fire: Wake Up live recording (the addiction continues)

Over the last couple of weeks I've been looking for some new music - lately I've been focused on a few of the artists that have appeared on La Blogotheque. I've known about Arcade Fire (or, The Arcade Fire - apparently it does not matter to them which one you use) for quite a while now, but never really got hooked until recently. I get Wake Up jammed into my brain very easily, and my media saturated mental lobes don't seem to mind at all.

In light of that, check this blog out: Ryspace.com: Arcade Fire - Wake Up. Nice post on the concert experience, and maybe equally as important, a live recording of their in-audience performance of the song. I have to admit that I haven't latched on to the studio recordings as much yet; The live vibe is what keeps me coming back. It is a pretty rare thing for music to resonate through crowds so completely, even over the poor quality of cel phone video and audio in some cases. Here's a shortcut as well to Ryspace's particularly decent recording on mp3. Thanks much for making this available.

Thursday, April 26, 2007

Whales Eye Records (whaleseyerecords.com)

And not to be outdone, someone turned on the marketing machine this morning and left the choke out. In addition to this blog and my new humor outlet, I've decided to start a record label to get some of our music out there. Not sure when we'll actually have music to download, but it gives us a launching point. I've also reserved the name on MySpace. The new label is at WhalesEyeRecords.com. Its all placeholder stuff right now, but I'm hoping to update it with real content soon. I have a few recordings floating around here that I may put up as rough demos/previews, but we shall see. I also may post some recordings of sounds and of Jonah singing as some test downloads.

I know it seems crazy to be taking on these wildly divergent tasks, but the writing thing has really been the outlet that I needed short of being able to play music with the people I am connected with most. While Paul was here he and I played a little bit, and it left me feeling strongly that we need to do something to get this out there, if even only for our friends. Watch for updates at the site. Coming soon.

And just so this post isn't totally boring: Jonah ma
de cookies with April today. Here are a couple of photos of the fun.

Friday, April 13, 2007

Henry Rollins, Walnuts, and still talking Jack

"Dad, I don't want to go to school today. I want go Jack's house."

Jonah, my thoughtful, adventurous first-born beautiful child, continues to amaze me at every turn. He is at one of the stages in life where he is brutally honest at times ("Dad, I have owey bottom - kiss it?" - t